Ashley Gilbertson for The New York Times
By KIRK SEMPLE
Published: September 12, 2009
A few hours before dawn, when most New Yorkers are fast asleep, a middle-aged man rolls out of bed in Brooklyn, dons a billowy red outfit and matching turban, climbs into his Lincoln Town Car, drives 15 minutes, pulls out a big drum and — there on the sidewalk of a residential neighborhood — starts to play.
A few hours before dawn, when most New Yorkers are fast asleep, a middle-aged man rolls out of bed in Brooklyn, dons a billowy red outfit and matching turban, climbs into his Lincoln Town Car, drives 15 minutes, pulls out a big drum and — there on the sidewalk of a residential neighborhood — starts to play.
The man, Mohammad Boota, is a Ramadan drummer. Every morning during the holy month, which ends on Sept. 21, drummers stroll the streets of Muslim communities around the world, waking worshipers so they can eat a meal before the day’s fasting begins.
But New York City, renowned for welcoming all manner of cultural traditions, has limits to its hospitality. And so Mr. Boota, a Pakistani immigrant, has spent the past several years learning uncomfortable lessons about noise-complaint hot lines, American profanity and the particular crankiness of non-Muslims rousted from sleep at 3:30 a.m.
“Everywhere they complain,” he said. “People go, like, ‘What the hell? What you doing, man?’ They never know it’s Ramadan...”
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